To much the same end is the languid and bluesy doo wop-influenced “ So Long Baby“, as well as the ballads “ Whisper” and “ Oh I Apologize“. Specifically, the Chantels’ and their Top 20 crossover ballad “ Maybe“. The uptempo “ Angel” is clearly rooted in then-recent R&B styles with more than a passing resemblance to another successful all-girl group. That certainly isn’t to intimate the remainder of the effort is subpar, but rather that lightening had yet to strike twice as Motown was continually refining the label’s sound.
The closest to hail from the bunch would be the midtempo Wall of Sound-alike “ I Want a Guy” which was relegated to the B-side of their next single, “ Twistin’ Postman“. In the interim, the record label mined the ladies’ talent for a suitable follow-up. Postman” concluded its seven-week run atop the R&B singles chart.
By the time this album became available in late 1961, three months had passed since “ Please Mr. Although the Marvelettes personnel changed several times during their early-’60s prime, the lineup featured here includes co-leads Gladys Horton (vocals) and Wanda Young (vocals), along with Georgeanna Tillman (vocals), Katherine Anderson (vocals), and Juanita Cowart (vocals). However, fans of the early Motown sound will be interested not only in the vocalists’ soulful and swinging leads, but contributions from burgeoning songwriters Berry Gordy, William “Smokey” Robinson, and Brian Holland as well.
Postman (1961) - the Marvelettes’ debut long-player - is the title track.